publications
Books
In progress Not as Advertised: Sociotechnical Bias & Inclusion in Digitized Music, monograph.
2022 Sex Sounds: Vectors of Difference in Electronic Music, MIT Press.
2018 Christa Brüstle and Danielle Sofer, eds., Elizabeth Maconchy: Music as Impassioned Argument.
Vienna – London – New York: Universal Edition. ISBN-10: 3702475621.
Peer-Reviewed Articles
2020 “Categorising Electronic Music,” Contemporary Music Review 39/2, Special Issue, “Techniques of
Contemporaneity,” ed. Patrick Valiquet, DOI: https://doi.org/10.1080/07494467.2020.1806628.
2020 “Specters of Sex: Tracing the Tools and Techniques of Contemporary Music Analysis,” Zeitschrift der
Gesellschaft für Musiktheorie 17/1, Special Issue, “Music Theory and Gender Studies,” eds.
Cosima Linke and Ariane Jeßulat, DOI: https://doi.org/10.31751/1029
Invited Articles
2021 “Le sexe comme champ d’investigation: Réévaluer les outils et techniques d’analyse de la musique
contemporaine,” Circuit musiques contemporaines 31/1: 13-26, Special Issue, “Quelle norme? Parole
queer et création musicale,” translated by Martine Rhéaume.
2018 “Death Becomes Him: Elizabeth Maconchy’s One-Act Opera The Departure,” in Elizabeth
Maconchy: Music as Impassioned Argument, eds. Christa Brüstle and Danielle Sofer, Universal
2014 Review of “‘Platonic Rhizomes in Computer Music’: Concert and Keynote Speaker Panel at the 2014 joint conference of the International Computer Music Association and the Sound and Music Computing Conference,” Array: The Journal of the International Computer Music
Association(2015-2016): 25.
2014 Prefaces to study scores, “Erwin Schulhoff, Symphony No. 5,” and “Ludwig Thuille, Piano Quintet,
Op. 20,” Repertoire & Opera Explorer. Munich: Musikproduction Jürgen Höflich.
2010-2014 Concert notes for “Clocks in Motion” Percussion Ensemble; Chamber Music Silicon Valley; Stony
Brook Symphony Orchestra.
Conference Proceedings
2016 “Music in Transit: An Interactive Interview with Juliana Hodkinson.” The Dark Precursor: International Conference on Deleuze and Artistic Research, eds. Paulo de Assis and Paulo Giudici: Open-Access Rich-Media Proceedings, Ghent, Belgium. Best Presentation Award
Recipient. https://www.researchcatalogue.net/view/237890/237891
2014 “Eroticism and Time in Computer Music: Juliana Hodkinson and Niels Rønsholdt’s Fish & Fowl.” “Music Technology Meets Philosophy: From Digital Echoes to Virtual Ethos,” proceedings of the
ICMC-SMC 2014: 40th International Computer Music Conference joint with the 11th Sound and
Music Computing Conference, 14-20 September, Athens, Greece, volume 1: 148-153.
Reviewer of International Publications
2019- Oxford University Press
2017- Music Theory Spectrum
2013- Organised Sound: An International Journal of Music and Technology
National and International Research Leadership
2021-2023 Publication Awards Committee, Society for Music Theory.
2020- Member, Editorial Board, Partisan New Music Magazine.
2020- Member, Engaged Music Theory https://engagedmusictheory.com/
2016-2020 Co-founder and Executive Director of International and Interdisciplinary Research Alliance LGBTQ+
Music Study Group https://www.lgbtqmusicstudygroup.com/
2018-2019 Education Officer and Co-opted Council Member, Society for Musicology in Ireland.
2017-2019 Chair of the LGBTQ Study Group of the Royal Musical Association
2016- Executive Director and Co-founder of International and Interdisciplinary Research Alliance LGBTQ+ Music Study Groups.
2018-2021 Education Officer and Co-opted Council Member, Society for Musicology in Ireland
2017-2020 Co-Author of Performing, Experiencing and Theorizing Augmented Listening (PETAL):Interpretation
and Analysis of Macroform in Cyclic Musical Works, Christian Utz (PI), Universität für Musik und
darstellende Kunst Graz, funded by the Austrian Science Fund (FWF), €337,661.50.
2015 Musicologist collaborator in “Parisflâneur: Binaural Audio Augmented Environment” by Martin Rumori exhibited and investigated within the klangräume research project (2013–2015), Gerhard Eckel (PI).
2015 “Music in Transit: An Interactive Interview with Juliana Hodkinson,” International Artistic Research Project with Scenatet Ensemble (Denmark). Performances in Graz, Austria, and Ghent, Belgium. Funded by SNYK Contemporary Music Denmark, The University of Music and Performing Arts Graz, and the Austrian Science Fund (FWF) project “Emotional Improvisation,” Deniz Peters (PI), €7,559.
Invited Papers
2021 “Electrosexual Music.” Book promotion, Sex Sounds. 26 May. University of York, UK.
2020 “Electrosexual Music,” Louise Hanson-Dyer Colloquium Series. Book promotion, Sex Sounds.
22 October. University of Melbourne, Australia.
2019 “From Anna to Annea: Cruising Lockwood’s Experimental Currents.” 26 November.
“Komponistinnen” series of the Zentrum für Genderforschung, Universität für Musik und darstellende
Kunst Graz.
2019 “Spectres of Sex: Tracing the Tools and Techniques of Contemporary Music Analysis.” 26 November.
“Musicology and Diversity” seminar, Zentrum für Genderforschung, Universität für Musik und
darstellende Kunst Graz.
2019 “Queer Stats.” 9 November, 2019. Society for Music Theory’s Queer Resource Group Business
Meeting. Annual meeting of the Society for Music Theory, Columbus, Ohio, USA.
2019 “Code-Switching in Electronic Music.” 20 February. Invited Seminar in Musicology Series, School of Music, University College Dublin.
2018 “Mastering Sex in and out of the Studio.” 2 February. Paper delivered at the Research Colloquium of the Department of Music, Maynooth University.
2016 “Hearing Presence in Recent Music.” 8 November. Paper delivered at the Invited Speaker Seminar Series of the Department of Philosophy, Maynooth University.
2016 Round Table speaker at international conference “Gender Studies in der Musikwissenschaft. Entwicklungen, Positionen, Tendenzen,” 24-5 June. University of Music and Performing Arts Graz.
2014 “Making Sex Sound?” 27 October. Invited Lecture, Signale-Graz Soiréeat the Institute for Electronic Music and Acoustics, Universität für Musik und darstellende Kunst Graz.
2014 “‘Structural Listening’: The Ideal Type Revisited.” 14 May. Invited Lecture in the Music Theory Colloquium, Institute for Composition, Theory of Music, History of Music, and Conducting,
Universität für Musik und darstellende Kunst Graz.
2014 “‘Not a voice, not a word’: The Closing from Maconchy’s One-Act Opera The Departure.” 24-25 October. Invited lecture, Symposium on the music of Elizabeth Maconchy. Universität für Musik und
darstellende Kunst Graz.
2014 “Juliana Hodkinson, Composer in a Networked World.” 19 May. Invited Lecture in the “Komponistinnen” series of the Zentrum für Genderforschung, Universität für Musik und darstellende Kunst Graz.
2014 “Convergences in Music Analysis (or, Music Theory’s Queer Complex).” Invited lecture at the Society for Music Theory’s Queer Resource Group Business Meeting on the topic “What happens when
Queer Theory + Music Theory?” 6-9 November. Annual meeting of the Society for Music Theory,
Milwaukee, Wisconsin, USA.
2013 Discussant, Round Table with Annie Gosfield, „Tag für eine Komponistin,“ 9 December. Zentrum für Genderforschung, Universität für Musik und darstellende Kunst Graz, Austria.
Media Appearances and Coverage
2021 Interviewer for Alice Shields portion in podcast series, “Unsung Stories: Oral Histories of Women at
Columbia’s Computer Music Center,” Ellie Hisama and Zosha Di Castri (PIs), Columbia University.
2021 Comedian at Bright Club Dublin, a science comedy hour. Virtual.
2019 Invited Speaker, Sounding the Feminists Professional Development Workshop and Filmed Interview,
“Writing About Music for the Public.” Dublin, Ireland.
2016 Comedian at Bright Club, a science comedy hour, Dublin Science Week. Stags Head Pub, Dublin.
2012 Musicologist in Residence, Chamber Music Silicon Valley.